home  >  muziektheorie >  harmonie  > harmonieleer  > E. Chromatiek > altered chords     Section E. is not at all complete yet. In the moment only this is available:  altered chords / sections 1-3, 5, and part of section 9 SWITCH TO THE DUTCH VERSION 1. general information 2. diminished third on #4^;  double diminished on #IV en hard diminished on II augmented 6-, 6/5 and 4/3 chords score examples (choose examples from the list below):   Schubert, Gesänge des Harfners I and III (D 478 and D 480)  beginning of both songs Am Grabe Anselmos (D 504)  beginning of the song Schubert, Piano Trio 1, D 896, beginning of the second movement Schubert, Erster Verlust D 226 Mozart, Piano Sonata in A minor K 310, second movement, middle section (development) Mozart, Piano Sonata in Bb major K 333, first movement, development section Bellini, Dolente immagine di Fille mia Mozart, Symphony in C major "Jupiter", second movement    transition to the second theme, and final part of the middle section (development) Schubert, Symphonie No. 5 in Bb major, first movement   transition naar het tweede thema Beethoven, Symphony No. 5, first movement, first theme 3. enharmonization of the double diminished triad and seventh chord, and of the hard diminished seventh chord   score examples 4. #IV and IIhv in other inversions   score examples 5. scheme of all altered chords 6. diminished third on #4^: minor/diminished seventh chord on VII (Tristan chord) major/diminished seventh chord on VII in major ('Erwartungschord') score examples 7. diminished third op 7^: double diminished on VII en hard diminished on V hard diminished/diminished seventh chord (Eulenspiegel chord) on V diminished/double diminished/diminished seventh chord on VII in minor score examples 8. diminished third on 2^ in minor, and on #2^ in major: double diminished seventh chord on #II en hard diminished seventh chord on VII in major hard diminished/diminished seventh chord (Eulenspiegel chord) on VII minor/double diminished/verminderd seventh chord on VII in minor, and on #II in major; diminished/double diminished/diminished seventh chord on #II in major major/diminished seventh chord on V in minor augmented dominant seventh chord on V in major score examples 9. overview of the enharmonizations and possible modulations 10. other issues?