home  >  muziektheorie >  harmonie  > harmonieleer  > E. Chromatiek > altered chords     Section E. is not at all complete yet. In the moment only this is available:  altered chords / sections 1-3, 5, and part of section 9 SWITCH TO THE DUTCH VERSION 1. general information 2. diminished third on #4^;  double diminished on #IV en hard diminished on II augmented 6-, 6/5 and 4/3 chords score examples (choose examples from the list below):   Schubert, Gesänge des Harfners I and III (D 478 and D 480)  beginning of both songs Am Grabe Anselmos (D 504)  beginning of the song Schubert, Piano Trio 1, D 896, beginning of the second movement Schubert, Erster Verlust D 226 Mozart, Piano Sonata in A minor K 310, second movement, middle section (development) Mozart, Piano Sonata in Bb major K 333, first movement, development section Bellini, Dolente immagine di Fille mia Mozart, Symphony in C major "Jupiter", second movement    transition to the second theme, and final part of the middle section (development) Schubert, Symphonie No. 5 in Bb major, first movement   transition to the second group Beethoven, Symphony No. 5, first movement, first theme 3. enharmonization of the double diminished triad and seventh chord, and of the hard diminished seventh chord   score examples 4. #IV and IIhv in other inversions   score examples 5. scheme of all altered chords 6. diminished third on #4^: minor/diminished seventh chord on VII (Tristan chord) major/diminished seventh chord on VII in major ('Erwartungschord') score examples 7. diminished third op 7^: double diminished on VII en hard diminished on V hard diminished/diminished seventh chord (Eulenspiegel chord) on V diminished/double diminished/diminished seventh chord on VII in minor score examples 8. diminished third on 2^ in minor, and on #2^ in major: double diminished seventh chord on #II en hard diminished seventh chord on VII in major hard diminished/diminished seventh chord (Eulenspiegel chord) on VII minor/double diminished/verminderd seventh chord on VII in minor, and on #II in major; diminished/double diminished/diminished seventh chord on #II in major major/diminished seventh chord on V in minor augmented dominant seventh chord on V in major score examples 9. overview of the enharmonizations and possible modulations 10. other issues?

Bellini, Dolente immagine di Fille mia version with piano: recording by Pavarotti and  James Levine (1988) orchestrated version: recording by Pavarotti and Orchestrara del Teatro Comunale di Bologna / Richard Bonynge version with piano: recording by Renata Tebaldi and  Giorgio Favaretto version with piano: recording by Giorgio Berrugi and Eytan Pessen (2013) here is the complete score (pdf) Below you see the first couplet of Bellini's Dolente immagine di Fille mia. There is just a single altered chord in this piece, at the beginning of third line of the poem (Che piu desideri? What more do you desire?). Partly because of the text repetition in measures 8-10, we can see this moment as aim of the preceding measures, and as a dramatic climax. The altered chord in measure 8 and 9 is a French augmented ( or: IIhv4 / 3 ); it is used between dominant harmonies as a chromatic neighbouring chord, thus emphasizing the dominant.ann https://sites.google.com/site/edwardlein/Home/translations :

E minor:       I                               I   V6 (II6)  IV6dm / IV6    I6/4 V7     I

chromatic bass                                                               (lamento-bass) with                                                              some faux-bourdon

E minor:   I                          I                      V7        I        (etc.)

E minor:  V                   IIhv4/3   V                      IIhv4/3   V                               I                       (V7)

French

E minor: III                     (V7)    III                 II6        I6/4                     V7           I