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Epoch: Modern
Country:  Austria
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biografie 1]

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inhoud:

Vienna at the turn of the century

Further reading
 

Anton Webern (1883-1945) - biography 2

1924 - Dodecaphony 

Alban Berg and Anton von Webern

Alban Berg
and Anton von Webern

Together with Alban Berg, Webern adopted also already early the „twelve-tone technique" developed by Schönberg. He use it for the first time in „Drei Volkstexte" op 17 for voice, clarinet, bass clarinet and violin (1924).

 Unlike Schönberg, Webern used the potentialities of the dodecaphony for the motif, rhythmical and dynamic arrangement of his works, particularly in the „Variations for orchestra" op 30 (1940). Webern said about the technique in this work to develop musical events from a few motif cells: „Everything that occurs in the piece is based on the two ideas given with the first and second measure in contrabass and oboe."

 The most important dodecaphonic compositions by Webern are the „Symphony for a small orchestra" op 21 (1928), „Quartet for violin, clarinet, tenor saxophone and piano" op 22 (1930), the „String trio" op 20 (1927) and the „Concerto for nine instruments" op 24 (1934) dedicated to Arnold Schönberg on the occasion of his 60th birthday.


Mödling, (1930)

1933 - Inner emigration 

Anton von Webern

Anton von Webern (1940)

In 1933, Arnold Schönberg emigrated to America, Alban Berg died in 1935. Anton von Webern got rapidly into a personal isolation, aggravated by the political troubles (civil war in 1934 and corporative state government under Dollfuß and Schuschnig) and financial difficulties as well.

 In this time, Webern met the Jone family. He was a close friend of Hildegard Jone. The composer used her poems as texts for his three cantatas (1st cantata „Das Augenlicht" op 26 of 1935, 2nd and 3rd cantata op 29 and 31 of 1940 and 1943) as well as for „Drei Gesänge aus 'Viae inviae'" op 23 (1934). After Austria's „anschluss" into the „German Reich" in 1938, the National Socialist rulers banned Webern's performances and publications. In the following inner emigration, he developed in ideas numerous references between the serial technique and religious mysticism, which find also expression in the already mentioned cantatas after texts by Hildegard Jone.

 In spring 1945, he fled from Vienna to Mittersill, where the family of his daughter lived. Here, he fell a victim to a fatal mistake on September 15th 1945. An American soldier took him for a smuggler and shot him dead, as Webern smoked a cigarette outside the house after closing time.